Description
Numbered Limited Edition, Deutsche Grammophon (Avantgarde Series)
Album #1 in the brand new vinyl series featuring pioneering recordings from the musical avant-garde.
Luc Ferraris Presque Rien No. 1andSocit IIstand among the most radical works of the twentieth-century avant-garde. With Presque Rien No. 1 (Daybreak at the Seaside), Ferrari pioneered the use of untreated environmental recordings as complete musical material capturing the sounds of a Croatian fishing village at dawn to create what he called a soundscape. Stripped of manipulation or conventional composition, it marked a decisive shift toward sonic minimalism and ecological listening, influencing generations of experimental artists.
In stark contrast, Socit II (And if the piano were a womans body), scored for piano, percussion, and ensemble, embodies Ferraris politically charged, theatrical side. Written amid the social upheavals of the late 1960s, it stages a feminist allegory in which performers vie for dominance, blending structure, improvisation, and satire.
Mastered & cut from the original analogue inch 2-track master tapes by Rainer Maillard and Sidney Claire Meyer at Emil Berliner Studios.
Limited and numbered edition, featuring original artwork and a newly designed, beautifully crafted collectors sleeve with new liner notes by Bradford Bailey, and pressed on 180g vinyl.
Side A
1. L. Ferrari: Presque Rien No. 1 (Lever du Jour au Bord de la Mer)
Side B
1. L. Ferrari: Societ II (et si le Piano tait un Corps de Femme)
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