Paul Simon – There Goes Rhymin Simon – (Lmt Ed UltraDisc One-Step 45rpm Vinyl 2LP Box Set)

Description

Sourced from the Original Master Tapes with Mobile Fidelity’s One-Step Process: Paul SimonThere Goes Rhymin’ SimonUD1S 180g 45RPM 2LP Box Set Sounds Phenomenal

Soul-Drenched 1973 Album Features Tremendous Vocals, Uplifting Gospel Accents, and Strong Narrative Lyrics: Includes “Kodachrome” and “American Tune”

Luxurious Packaging Includes Lift-Top Box, Foil-Stamped Jackets, MoFi SuperVinyl LPs Pressed at RTI: Strictly Limited to 10,000 Numbered Copies

1/4″ / 15 IPS / Dolby A analog master to DSD 256 to analog console to lathe

Demonstrating a deep-seated flair for soul and R&B, Paul Simon recruited gospel backup singers and traveled to the Muscle Shoals Sound Studios to further refine the vibrant sounds he desired forThere Goes Rhymin’ Simon. Clearly, his instincts proved correct. Many rightly consider the iconic singer-songwriter’s third album a masterpiece one that, per critic Robert Christgau, “suggests a new grace and flexibility for the mass-pop mode, and invests small subjects and emotions with an almost luminous wit and awareness.”

Limited to 10,000 numbered copies, pressed on MoFi SuperVinyl at RTI, and sourced from the original master tapes, Mobile Fidelity’s UltraDisc One-Step 180g 45RPM 2LP collector’s edition makes for an extraordinary listening experience. It strips away any remaining barriers to provide a clear, super-dynamic view of a record nominated for two Grammy Awards and that climbed to the No. 2 position on theBillboardcharts. The expanse and depth of the soundstage, fullness of detail, varied textures of the percussion, and natural rise and decay of individual notes reach demonstration-grade levels.

Visually, the gorgeous presentation of the UD1SThere Goes Rhymin’ Simonpressing befit its select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. It is made for discerning listeners who prize sound quality and production, and who desire to fully immerse themselves in everything involved with the album.

The newly revealed transparency, presence, balance, immediacy, and dark-black backgrounds provided by Mobile Fidelity’s UD1S set showcase the scope and craft of Simon’s alluring melodies not to mention the vocal performances that, arguably, remain the album’s standout element. Simon’s singing hits peaks onThere Goes Rhymin’ Simonthat equal or best those on any of his other works, Simon and Garfunkel included. Assured, natural, and supple, his baritone resonates with a realism and extension that immerse you in the song. At certain times, he lets loose; during others, he becomes a gentle balladeer on par with a prized jazz chanteur. Such versatility alone remains staggering, but he also receives support on two tracks by the legendary Dixie Hummingbirds. The pairing is nothing short of magical.

Ditto Allen Toussaint’s horn arrangements on “Tenderness” and Quincy Jones’ string charts for “Something So Right.” The title of the latter tune could serve as the catch-all statement forThere Goes Rhymin’ Simon nothing seems out of place, overlooked, overcooked, or underdone. The same goes for the playing of the cadre of session pros heard on the record. A partial lineup: Southern virtuoso Pete Carr (Joan Baez, Bob Seger, Rod Stewart), Muscle Shoals Rhythm Section member Jimmy Johnson, and R&B master Cornell Dupree on guitar; Muscle Shoals Sound Studio founder David Hood, Blue Note veteran Bob Cranshaw, andAstral Weekscontributor Vernie Robbins on bass; Fourplay founder Bob James on Fender Rhodes and keyboards; soul-jazz expert Grady Tate and Aretha Franklin collaborator Rick Marotta on drums. Mercy.

The proof of the consummate chemistry, of course, resides in the final results, which run the gamut from Jamaican-leaning rhythms and orchestral flourishes to steady blues currents and New Orleans-soaked brass accents. Simon’s instinct for strong narrative conveyed with heartfelt emotion completes a trifecta of instrumentation, arrangement, and delivery. Taking a pulse on episodes such Watergate and the Vietnam War, the singer meditates on experiences universal to everyone in America never more saliently than on “American Tune,” an anthem musically based on a hymnal and whose lyrics continue to hold true today. Similarly, Simon spins gleeful absurdity, antisocial behavior, and pensive reflection into truth on “Kodachrome,” a number-two smash that permanently established him as a solo star.

Hits and singles aside,There Goes Rhymin’ Simonstands as as a cohesive statement woven together, to quoteRolling Stonecritic Stephen Holden, as “a rich and moving song cycle, one in which each cut reflects on every other to create and ever-widening series of refractions.” Indeed, everything looks worse in black and white, and Mobile Fidelity’s UD1S set plays with the greens of summers and those nice bright colors.